Audio review Only. Review on Humraaz

I didnt find a section in Audio for Humraaz strange...

Believe in Quality & not Quantity.Promising again a dose of information to for all of you filmi chakkar members.

Ok !!here we go.

Here's ABBAS-MUSTAN the director duo from South Bombay(Null Bazaar-Sandhurst Road). They started their career with some gujrathi movies then a flop Hindi typical action 80's movie. They remained out of limelite till the Jain bros from Venus saw their work in that movie. They loved the direction so much that they offered him Khilari the United 7 production.

Then what Khilari, Baazigar, Daraar, Soldier, Baadshaah ,Chori Chori Chupke CHupke(a flop because it was an experiment-A love story different from the regular thrillers), Ajnabee

Music:- Himesh Reshamiya(the youngest music director)

Do you know the hits he has to his credits???

Sohail khan & bros gave him break. Inspite of Jatin-Lalit as the music directors they gave break to Himesh. Odhli chunariya(pyaar kiya to darna kya) and then Sarkee jo sar se(Hello brother). Kahi pyaar na ho jaaye as the first movie fully in their hands and then Dulhan Hum le Jaayenge...got it for Salmaam again (Pyaar dilon ka mela hai).

And now the Countdown chart has many Himesh Reshamiya numbers

Nikamma(Kya dil ne kaha), Title track(Yeh hai jalwa) , Bardaash or Pyaar kar(Humraaz) etc...

Interview:- I heard him saying on FM that he will try his level best to give a movie for Abbas-Mustan better than his previous musicals.

Starring:- Bobby Deol and Amisha Patel with Akshaye khanna.

===

1] Sanam mere humraaz

Beautiful Title Number More catchy than Ajnabee's title track.

Sanu's voice seems long awaited after his quarell with Sonu Nigam when all Sanu numbers of Refugee were resung by Sonu and Anu got National Award, Sanu even had a sinuses operation.

2] Pyaar kar

Udit Narayan starts this song with his very very light n easy voice. Udit is much much confident after winning his fifth filmfare though not in a queue like his rival Kumar Sanu.

Then Shaan takes over after the first verse. Its really tough to equal a singer who has a decade experience. But Shaantanu Mukherjee sounds fresh. And Yeah!! the song is copied from 80's Hit Gore Nahi hum kaale sahi hum naachne gaane wale sahi....hum sa ek nahi.

3] Bardaash nahi kar sakta

K.kay(krishnakaanth) after big hits like Tadap Tadap(Hum dil de chuke sanam) , Pyaar Re(Mujhe Kuch Kehna hai) , Such keh raha hai deewana(Rehna hai tere dil mein), Nikamma(KDNK).

4] Bardaash nahi kar sakta(Remix)

No !! not again !!! Remix!!.....but do you know the remixes which have been given in movies itself have proved to be hit.

Dekhu jo palatke(Zameer) started the trend

Kambakhth Ishq(Pyaar tune kya kiya)

Jaan Leva(Moksha) to name few....

Give it a try !! Sonu proved much better than K.K but he sound a bit soft. So three cheers to Abbas-Mustaan to take a right decision not to give Akshaye(one with negative shade) the voice.

5] Life ban jayegi

Sonu Nigam. Song must be one of the 100th number which has punabi touch after the first popular number by Sonu only ....Tera rang balle Balle(Soldier) which started the trend.

This one sound like Himesh's Previous hit ...Tere Bin jeeya nahi(Dulhan Hum le jaayenge)

4] Jab se mile hai (Theme for background music in the movie)

This one is my favourite one.

All credit goes to udit. The song starts slowly then moves to a fast pace and then resaturates.

5] Tune zindagi mein aake.

udit again...reminds you of Jis ghadi tujhko tere rab ne(Prithvi). God knows why the hell the media miss to some beautiful number. Yeah its really a worth listening track.

It starts with abbas-mastaan's pet Bobby deol's voice.

I like the https://lyrics.

It says.

Tum sa koi doosra s jahan mein hoga

to shikaayat hogi

Koi aur tumhein chaahe to Qayaamat se pehle Qayaamat hogi.

Overall a worth listening and occupying space in your cassette or CD rack like any other Abbas-Mustan movie music. Absolute recommendation from my side 8/10 points.

Hmmm...do did you get any information in my review...if not I am sorry for not being able to take you to a musical journey.