The 60’s were a phase of candyfloss escapist movies in Bollywood. Most of the movies in that time, were boy meets girl in hill station- parents don’t approve-but everything ends happily ever after. Color ruled the scene, and most of these movies were pretty forgettable, except for some lovely songs. In 1964, a movie was released, which was pretty unlike the standard Bollywood fare of that time. It was in B&W, and instead of being set in Kashmir or Shimla, it was set in the grimy backdrop of Mumbai. The movie had two unknown actors as heroes, and worse in an era, where the hero was a gora chikna Mills & Boon kind, one of the characters was blind, and another was lame. No heroine, no duets, no silly comedy, and instead of a feel good love story, this was about a blind man and a lame man. Who would watch such a movie? It was bound to be a disaster. I mean in age of color filled love stories, who would want to watch a serious B&W movie about two handicapped persons. The movie was released and not only it went on to become a major hit, at the box office, it also won the Filmfare Award for Best Movie, beating out big banner movies like Sangam etc. The producer of this movie shot into fame and his banner became famous for movies that were family fare, but quite endearing.
The producer was Tarachand Barjatya, the banner is Rajshri movies, and the movie of course is Dosti.
Dosti is the story of two persons Ramnath or Ramu( Sushil Kumar) and Mohan( Sudhir Kumar). Ramu’s father Mr.Gupta a factory worker, dies in an accident, and when the factory refuses to pay compensation, his mother passes out in shock. Ramu is injured in an accident, and he becomes crippled. Thrown out of his home, crippled, and penniless he roams around the streets of Mumbai. Here he comes across Mohan, a person, who is blind and has a similar tale of woe. Mohan comes from a village, and he has lost his sight at an early age. His sister Meena, had migrated from the village, to find work as a nurse, so that she could pay for her brother’s treatment. Mohan himself left the village after his mother passed away. Ramu is good at playing the harmonica, while Mohan is a good singer. Together they team up, and sing songs on the roadside, earning money from passers by. Ramu wants to finish his studies, and both of them befriend a small girl, Manjula( Baby Farida), who is the sister of a rich man Ashok( Sanjay Khan). Manjula herself suffers from a terminal disease, and both the friends hope she would help them out. Is Ramu able to complete his education? How does their friendship withstand some serious crisis? Well to know watch the movie.
Now here we have two characters, one is blind and one is lame. And a lot of pathos does get involved in it. Yet the ending should not be too tragic. The director could have taken the safe route. He could have shown Ramu flipping through some books, and hey presto, next reel he is an officer, while forMohan, a music director hears him singing, and before you know it, he becomes a popular singer. And that is where the movie scores overwhelmingly. At the end of the movie, nothing much has changed about Ramu or Mohan, except the fact that Ramu has completed his education. Yet you feel good and sort of inspirational. Because you see the two friends having had to battle a lot of obstacles, and at one stage their friendship itself is at stake. Yet they manage to overcome them, and be united at the end.
Many of us tend to look at success in terms of position, power, money etc. But success is not just the big goal, it is how we overcome the smaller problems in life. Mohan wants to help Ramu achieve his dream-of completing his education. To many of us it might be a small issue. But for some one like Ramu, who has lost everything in life, that matters a lot. It means everything to him. Ramu in the meantime craves for nothing more than his friend, who helped him. Dosti also shows the value of being together.Mohan is blind, while Ramu is lame. Yet instead of fretting over their fate, the two friends, help out each other. Ramu guides Mohan along, while Mohan helps Ramu to walk along. Again they use their individual talents together to make a living. And that is what life is about, we have our weaknesses and strengths. But its when we make use of our strengths, that we can go ahead.
Dosti shows the real value of friendship in the form of Mohan and Ramu, as against Manjula’s unhappy life. She is dying from a terminal disease inspite of being rich. On the other hand, while Mohan and Ramu are poor, they still manage to get along without complaining and fretting. I think the reason for this movie doing so well, is the absolute honesty of the script. It is realistic and natural, and straight from heart. Yet it gives a positive message, and is inspirational.
Dosti is a movie about people whom we have forgotten. People on the street, whom me think of as nuisance. We have developed a habit of pouring scorn on people below us. We call them as scum, menace to civilized society. We hate them because they make our city look dirty. Cant we stop for a moment, and think? There could be a Ramu there, who was forced to stop his education. There could be a Mohan there, who is helpless and abandoned. Dostiis a call for compassion, which our society desperately needs.
The performances of both the lead actors are excellent. You would not think its their first movie, judging by the way, they have performed. Sanjay Khan also makes his debut in the movie, as the brother of Manjula, and he is fairly good. Baby Farida is cute and endearing. Abhi Bhattacharya as the kind hearted master who helps Ramu to finish his studies is first rate.
And yes the best part of the movie, its musical score. One of the best albums you will listen to in a long time, tuned by Laxmikant Pyarelal. And here the songs are not fillers, they are an integral part of the movie, and help the movie to go along. Excellent lyrics by Majrooh Sultanpuri and Mohd Rafi, pitching in with that wonderful voice of his.
Zaanewalo zara: Beautiful song, it starts off with “Zaanewalo Zara, mudke dekho Mujhe, Ek Insaan hoon Main tumhari Taraf”. The very first line is asking people, to look at him as a normal human being. Jisne Sabko racha apne hi roop se, uski pehchan hoon main tumhari tara, referring to the fact that like every one else he is also created by the same God. We treat blind people with pity, but in effect, they are asking us to treat them like normal human beings. Listen to this song, and you will never look at a blind person in the same way.

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