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Home > Movies Music and Sitcom > Movies > Hindi Movies > Dhai Akshar Prem Ke
Dhai Akshar Prem Ke
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This movie came out in 2001 which I thought would be the turning point of abhishek bachnan's career. Well I was wrong. Dhoom was the turning point of his carreer after all of these flops dhoom hits the bullseye finally. Well I used to be a fan of junior bachnan but seeing all the flops then I changed my mind about him.
Well to make a long story short.
Abhishek is an army officer who takes a break from the camp and wants to come home to Sonali Bendre. Who abhishek loves very much. On the way home he meets ashwaryia rai who's is about to kill her self. He saves her and she tells him why she was dying. That her parents were trying to arrange her marriage while she was in college and she told them that she already married somebody. That her father amrish puri had kicked out of the house. So abhishek decides to be her husband and they return home. Everyone accepts abhishek except amrish puri. Ashwaryia falls in love with abhishek, but time comes when abhishek decides to leave to the one he loves. He leaves ashwaryia rai and goes to meet sonali bendre. Then he finds out that sonali thinks of him as a friend. So abhishek is heart broken and he returns to Ashwaryia.
This movie was worth the watch because some of it's songs. Yeh sama yeh nazare was a nice song, Dhai Akshar Prem Ke, do lafzon they were nice songs.
Performance wise
Abhishek did pretty good. He kind of quite in the middle of the movie, and he's got a voice just like his dad's don't know why he's not learning acting from his dad and his mom. they were both very big stars in their times. Ashwaryia rai couldn't do nothing but cry. She didn't have that much to do in the movie. Amrish puri went ok with the role. Anupam Kher and Shakti Kapoor were funny.
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Somebody please stop the new talented kid on the block from signing such bogus.. lacklustre movies the kid bacchan is so talented but alas!! the poor fella!! sure doesn't know the movie management or mebbe the right choice baby!! instinct ..
Abhishekh .. going through a bad phase or mebbe not mature enough to choose right films.. big names doesn't hit movies but story line(script and direction) are two important factors to determine a sure shot to hit this movie is a cocktail of dil wale dulhaniya... and so many of those evergreen romantic movies.. and this movie pakka establishes Aiswarya.. the tragic queen in legacy to Meena Kumari. Poor girl kept that sad face through out the movie.
Shakti Kapoor was yuck!! and gros with unhealthy humour and stomach chruning dialogues ..Amrish Puri acted well and so did Anupam Kher last but not the least our very own new kid on the block Abhishekh acts well and does those difficult dance steps with perfect ease but I guess he is not signing those potential movie he shouldn't waste that immense talent on to those fake movies.
This movie is a sure shot flop from my point of view. Songs are good and so are the locations but thumbs down to storyline, direction and dialogues. A very complicated woven yet plot revealing simple movie where the kid Bachhan gets to meet Aisharya by chance and has to act her husband still again by chance where the kid Bachhan realises later that Aish is his true love after when he is turned back by Sonali Bendre a sure shot mockery of human relations and family values...
Personal advice don't even buy the soundtrack of this sick, boring... movie
Give me one more movie with a long name and an everlasting complicated love theme I’ll probably end up stark raving mad. Its like everywhere you look or tune your ears its these stereotype hogwashes of pulp cinema. Where have all the good filmmakers gone? Lost in the sea of cliched oblivion.
Raj Kanwar; the king of ‘masala’ potboilers featuring extreme love themes is back this season with another softie for the ageless romantics (whatever!). “Dhai Akshar Prem Ke”…which supposedly stands for the three most underplayed words of all times- ‘I love you’. Aaargh!!
It starts with the mother of all expositions. The damsel in distress and the shining knight of an army captain swashbuckling into action to her timely rescue. Once all safe and sound and a thwarted suicide attempt the damsel Sahiba (Aishwarya Rai) thinks it safe to saddle the guy Karan (Abhishek Bachchan) with all her woes. Mr.Do-gooder that he is, offers to go home with her and straighten things out with her folks. Once there all the folks think he is her husband and all hullabaloo breaks lose. He is therefore stuck with a hyperactive bunch of uncles, a Hitler for a girl’s father and an ailing matriarch of a silver haired grandmother. Poor fellow just has no choice. I mean who wouldn’t if you had someone like Aishwarya Rai making moony eyes at you at a drop of a hat. The story goes through its usual share of melodrama and high jinks leading to an extremely predictable climax.
What irks you instantly about this movie is the fact that it is a rather pathetic remake of the Keanu Reeves romantic softie ‘A Walk In The Clouds’. And then there are the songs slotted in between just for the sake of it. There are jarring scenes completely illogically misdirected and poor dialogue. The flow of the movie is convoluted making it as boring as any movie can get. Abhishek Bachchan has potential but he should know better than to do what he’s doing now. I mean considering his previous movie ‘Tera Jadoo Chal Gaya’ was a poor imitation of the Jennifer Aniston/Kevin Bacon movie ‘Picture Perfect’. Didn’t he play a sort of fake fiance to Kirti Reddy in the flick?
Then there is the Mannequin Queen herself. No doubt she is one of the most elegant actresses in the business today. But her Sahiba has quaint shades of Nandini in ‘Hum Dil De Chukhe Sanam’. She is blatantly wasted in the narrative. The songs picturized on her are like a fashion show extravaganza. Yeah she is a stunner, but this kinda thing is getting rather standard these days.What’s this ‘lets play dress up’ or what? Sonali Bendre and Salman Khan make cameo appearances in the movie and so does supermodel Inder Sudan. Their presence does nothing to save the movie from sinking into depths of oblivion. Quite frankly if you’re in a mood for a direct copy of an english movie laced with shades of ‘Dilwale Dulhan Le Jayenge’ and a smattering of ‘Hum Aapke Hain Koun’-ism go ahead, be my guest.
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