Its 3rd movie for the Bishma, Bala. Review on Pithamagan - Tamil Movie

Pithamagan is definitely a good crafty movie but not for everyone. That was obvious from everyone's reaction as we walked out of the theater in Atlanta, US. To the extent I observed, Looked like I was pretty alone among those who could have enjoyed this kind of movie. There may have been some exceptions - who are probably die hard fans for the two hero’s of the movie - Vikram and Surya and for Director - Bala. But for them, in general the movie was not making any sense to the public in general.

The expectations that Bala had created from his previous movies ''Sethu'' and ''Nandha'' which were artistic, moving and sensational. Vikram was the hero of Sethu while Surya was the hero of Nandha. Bala had extracted exceptional acting talents from both the actors in respectively in those movies.

Portrayal and Presentation of the Characters:

Director Bala is has done a wonderful job in characterizing the lead actors pretty well as he did in his previous movies.

Vikram is characterized as the man in charge of the burial ground, someone who was born and brought up all along there. His lives there with only one person to accompany - the old man who brought him up. With such a background, Vikram has no idea what the external world is like, worst of it - he is not even 'used' to converse to public - thus in most of part of the film - he doesn’t even speak. Such a person after the death of the man, who brought him up, comes out to village and mixes with the public. The movie is all about how he copes with his experiences, how he is caught up in the evil web of city life. He plays part to perfection. A very powerful portrayal of a powerful person.

Surya's character is just opposite to that of Vikram. He earns his everyday bread by fooling around by bursting a scam or two in selling stuff around. Surya's character nicely compliments the seriousness of Vikrams character - without which the plot could have been little intolerable. Bala uses Surya and Karunas to establish the balance.

Laila's character is also something different. Her performance raises everyone’s eyebrows. Something that many fellow heroines to envy about. Given a chance, Laila has proved her acting smartness. I am not sure if Bala had selected Laila and then built up her character or chose Laila for this character. She just lives it every moment - like an acting dynamite ready to burst any moment.

Neadless to say, IR would give his best for a movie like this.

The Background music is nice, but Visual medium is strong that they just block hearing senses.

As far the songs, there is nice 'Elangaathu veesude' melody which Bala uses to show the funny moments Vikaram pondering over - the world he is unaware of.

There is so much of Violent scenes in the movie, which is something that strikes everyone to say 'Ah, Yucky!'. I know. But believe me, its all in the perception. Last year around this time, I saw an Hollywood - spilled with lot of violence like this - Gangs of NewYork. I was highly critic of that movie - that it was a bad example.

But in this movie, I did not see that Violence as Violence, I saw it as Power.

Power of Good to beat Evil, Power of Krishna to beat Duriyodhana.

Every time I saw Violent depiction, I felt stronger and stronger to fight against the evil inside me.

And unavoidably it come to mind that, if everyone thinks like that, how strong would we be?

But Violence is not a permanent solution to any problem - Anyway that totally a different topic.

Cinema is a medium of exaggeration. Then where does 'Realism' come into picture? The extent to which there is less exaggeration - that’s the degree of realism. On that note, Yes the movie is. Bala's portrayal of characters is realistic. Questions like - Why do Laila's parent’s don’t come into picture after a while - do arise - but then you can expect a director to tell you and justify every minor detail. Certain things have to be taken for granted. Certain people can’t accept that. Still some other ponder, these things don’t happen. For them its Not.

No, Not for young audience and light hearted people.

Yes, for the brave and intellectuals.

A must for anyone in who care about film direction.

Yes. To those film directors, who are still making movies on based masala formulas (Alas, even Shankar fell into that trap) : Stop it, or else you will be thrown out. Beware! There are more creative talents on upspring.